To access Safari eBooks,
See our Open Educational Resources (OER) Guide for more information about freely-available resources that can be used in courses (including information about Creative Commons licenses).
This guide provides copyright information and general principles to Franklin University students, faculty, staff, and administration, and also supports Franklin University's institutional copyright policy.
You can use this guide to gain an understanding of:
The guide also explains different copyright concepts which may affect whether you can use material, including:
If you are an author wondering who owns the copyright in your work, what your rights are under copyright law, or the effect of submitting a work for publication on your rights, see our information on:
Each page of this guide has a "resources" box under the left hand menu which provides links to additional information related to the page.
The material presented in this guide is for informational purposes only and does not constitute legal advice or the official policy of Franklin University.
You may also be interested in related information available on other Franklin University Library Research Guides:
The Franklin University Library provides copyright education according to the contextual needs of the University.
While we do not provide legal advice on specific questions or instances of use of copyright protected material, we can help faculty and staff understand the principles of copyright, as listed in the box above. We will help faculty and staff with understanding:
Faculty and staff should also consult the University's copyright policy:
Complete Copyright by
Librarians face a myriad of copyright dilemmas every day and as copyright law evolves and new interpretations emerge, libraries play a key role in representing the public in the copyright debate. But how do new copyright laws affect traditional services and new virtual reference user services? What must librarians do to ensure that staff and patrons fully exercise copyright exemptions, like fair use? Offering a wealth of information on library copyright concerns in a vibrant, highly accessible format, Complete Copyright is a must-have resource for your library. ALA copyright expert Russell provides clear, user-friendly guidance for both common copyright issues and latest trends, including the intricacies of copyright in the digital world. Through real-life examples, she also illustrates how librarians can be advocates for a fair and balanced copyright law. This guide will help you to: Address complex copyright issues through the use of real-life library scenarios; Understand when permission is necessary when using copyrighted licenses; Keep up-to-date with recent copyright legislation including the Digital Millennium Copyright Act (DMCA) and the Technology, Education and Copyright
Understanding Copyright by
Digital technology has forever changed the way media is created, accessed, shared and regulated, raising serious questions about copyright for artists and fans, media companies and internet intermediaries, activists and governments. Taking a rounded view of the debates that have emerged over copyright in the digital age, this book: Looks across a broad range of industries including music, television and film to consider issues of media power and policy. Features engaging examples that have taken centre stage in the copyright debate, including high profile legal cases against Napster and The Pirate Bay, anti-piracy campaigns, the Creative Commons movement, and public protests against the expansion of copyright enforcement. Considers both the dominant voices, such as industry associations, and those who struggle to be heard, including ordinary media users, drawing on important studies into copyright from around the world. Offering media students and scholars a comprehensive overview of the contemporary issues surrounding intellectual property through the struggle over copyright, Understanding Copyright explores why disagreement is rife and how the policymaking process might accommodate a wider range of views.
Understanding Copyright Law by
This text explores and explains the basic mechanics of registering, maintaining and enforcing copyrights, and walks the reader through the complete process. Copyright is a form of legal protection for literary, performance and visual arts-based works, among other things. Copyright in the U.S. is based on the Copyright Act of 1976. The book offers in-depth explanations of the act, providing readers with everyday explanations to complex law. Copyright protection can be secured under the laws of many other nations as well, and international Copyright issues are discussed. The book emphasizes the process for registering a copyright with the U.S. Copyright Office. The reader will be introduced to the nature and functions of intellectual property law as it relates to copyright. Intellectual property law is an intriguing, evolving body of law that seeks to create a fair balance between incentivizing public creativity, and providing a protective environment which allows fair competition and capital opportunities. Through this book, the reader will gain an understanding of the types of property subject to copyright; how to protect and use their own and other's copyrighted property; how to complete a copyright application; the full registration process; how to capitalize on the value of your copyright; infringement issues to look out for; and copyright as it applies to the internet and the digital age.
Copyright by
Cornish's Copyright is the standard work in its field and is indispensable for all librarians and information professionals and who are looking for solutions to their copyright problems. The book explains the provisions of the UK Copyright Act and supporting legislation in quick and easy question-and-answer form. This revised edition is fully updated to take into account of all the changes that have come into force since the 6th edition was published in 2015. All types of material that may attract copyright are considered, including: literary, dramatic and musical works; artistic works; sound recordings; films and video; broadcast; databases; and computer programs and websites. The text is amplified by the use of practical examples to illustrate complex points and complemented by a detailed index that enables the enquirer to pinpoint topics and proposed action quickly and accurately. The appendices provide helpful lists of addresses and selected further sources of information.
Copyright and E-Learning by
Jane Secker and Chris Morrison have completely revised and updated this highly successful text to take into account recent developments in the field and changes to the law in the UK and elsewhere in the world. Through its practically based overview of current and emerging copyright issues facing those working in e-learning, this book will help equip professionals with the tools, skills and understanding they need to work confidently and effectively in the virtual learning environment with the knowledge that they are doing so legally. New and developing services, software and other technologies are being adapted for online learning environments to engage students and academic staff. These technologies present increasing challenges to IPR and legal issues and this book will help librarians and educators to meet them. Key topics addressed include: digitizing published content for delivery in the VLE; using digital media in e-learning; copyright issues and "born digital" resources; the copyright issues associated with using social media; copyright training for staff; who owns the rights in works that are the product of collaboration; and what to do if you can't find the rights holders.
The Copyright Book by
An accessible and comprehensive guide to copyright law, updated to include new developments in infringement, fair use, and the impact of digital technology. Through five editions since 1981, this book has offered the most comprehensive accessible guide available to all aspects of copyright law. Now, with the sixth edition, The Copyright Book has been thoroughly updated to cover copyright for the Internet age, discussing a range of developments in the law since 2000. The only book written for nonlawyers that covers the entire field of copyright law, it is essential reading for authors, artists, creative people in every medium, the companies that hire them, users of copyrighted material, and anyone with an interest in copyright law from a policy perspective. New material includes greatly expanded coverage of infringement and fair use, with detailed discussion of recent decisions, including the Grateful Dead, Google, and HathiTrust cases. The new edition considers such topics as open access, the defeat of the Stop Online Piracy Act (SOPA), file sharing, e-reserves, the status of "orphan works," and the latest developments under the Digital Millennium Copyright Act (DMCA). The sixth edition also brings up to date The Copyright Book's plain English explanation of such fundamental topics as authorship and ownership; transfers and licenses of copyright; copyright notice; registration of copyright (including the new online registration and "preregistration" systems); the scope of rights included in copyright, and exceptions to those rights; "moral rights"; compulsory licenses; tax treatment of copyright; and international aspects of copyright law. As copyright issues grow ever more complicated, The Copyright Book becomes ever more indispensable.
Copyright Law for Librarians and Educators by
Copyright law never sleeps, making it imperative to keep abreast of the latest developments. Declared "an exemplary text that seals the standards for such books" (Managing Information), this newly revised and updated edition by respected copyright authority Crews offers timely insights and succinct guidance for LIS students, librarians, and educators alike. Readers will learn basic copyright definitions and key exceptions for education and library services; find information quickly with "key points" sidebars, legislative citations, and cross-references; get up to speed on fresh developments, such as how the recently signed Marrakesh Treaty expands access for people with disabilities and why the latest ruling in the Georgia State University case makes developing a fair use policy so important; understand the concept of fair use, with fresh interpretations of its many gray areas that will aid decision making; learn the current state of affairs regarding mass digitization, Creative Commons, classroom use and distance education, the Digital Millennium Copyright Act, and other important topics; receive guidance on setting up on a copyright service at a library, college, or university; and find many helpful checklists for navigating copyright in various situations. This straightforward, easy-to-use guide provides the tools librarians and educators need to take control of their rights and responsibilities as copyright owners and users.
Copyright Law in the Digital World by
This book addresses the key issues, challenges and implications arising out of changes in the copyright law and corresponding judicial responses. Using concrete examples, the book does not assume any prior knowledge of copyright law, but brings together leading intellectual property researchers to consider the significant role of copyright law in shaping the needs of the modern digital world. It provides an insight into two distinct arenas: copyright and digital media. The exponential increase in the ability to multiply and disseminate information by digital means has sparked numerous conflicts pertaining to copyright - and in turn has prompted lawmakers to expand the scope of copyright protection in the digital age. Bearing in mind the new questions that the advent of the digital age has raised on the role and function of copyright, the book presents a collection of papers largely covering new frontiers and changing horizons especially in this area. The contributions intensively address core issues including the exhaustion principle, copyright and digital media, liability of hosting service providers, the originality requirement, accessibility to published works for the visually disabled, criminalization of copyright infringement, and software protection under copyright law, among others. Consisting of 14 papers, this book will be equally interesting to researchers, policymakers, practitioners and lawmakers, especially those active in the field of Intellectual Property Rights (IPR).
The Copyright Librarian by
Within most libraries in the United States today there is an information professional who has become the 'go-to' person for grasping and grappling with copyright questions. While not an attorney, this librarian has developed an awareness and understanding of copyright law, legislation and practice as they relate to a wide variety of library activities. This practical handbook provides a broad overview of copyright librarianship. It is written for information professionals whose area of expertise, specialization or job it is to inform and educate others about the ethical use and best practices surrounding copyrighted materials It is written about the person with solid analytical skills and the ability to adapt and adjust in a rapidly changing environment; someone who can serve as an intermediary between information producers and consumers; someone who is knowledgeable about the law and providing access to information; someone who is well positioned within an organization to answer questions about copyright and provide reliable, accurate, and relevant answers, information, assistance, and guidance when needed. In short: a copyright librarian.
